The Dance Open International Ballet Festival has already earned a worldwide reputation in previous years: In 2011, U.K. newspaper The Independent listed Dance Open among the top 10 festivals.

This time, the festival is planned on a larger scale and in a somewhat different format. For the first time since its inception, it will not only feature concert performances but also performances by three top ballet companies.

Dance Open is also concerned with the future of ballet. Students of ballet from all over the world – from the U.S., Brazil, Panama, France, Belgium, Poland, Latvia, Finland, etc. – are to arrive in St. Petersburg for children’s master-classes.

A contemporary version of Igor Stravinsky’s “The Rite of Spring” is on the Dance Open program to celebrate the 100th anniversary of its premiere.

Ever since its opening night, choreographers throughout the world have been enthralled by this score’s ability to prompt new dance forms. This time, it is a performance choreographed by Edward Clug from the Slovene National Theatre Maribor.

According to Dance Europe magazine, Edward Clug “has achieved the near impossible: a new and meaningful interpretation of Stravinsky's ‘Le Sacre du Printemps’ [‘The Rite of Spring’].”

They are promising lavish stage effects for the world premiere of the ballet: A real waterfall is expected to pour down from the Alexandrinsky Theatre’s fly tower.

The Semperoper company from Dresden will perform the “Spazio-Tempo” (“Space-Time”) ballet to the music of German electroacoustic music duet 48nord. The ballet was created by the young Italian choreographer Jacopo Godani, who is considered a disciple of the great William Forsythe, for whose company he often danced.

The Bolshoi Theatre is also bringing its own one-act ballet – a performance of Prokofiev's “Classical Symphony” by the young San Francisco choreographer Yuri Posokhov.

After its Moscow premiere, Novye Izvestia wrote: “The composer and the choreographer have made a very successful tandem producing a fusion of styles in a light visual packaging, combining Prokofiev's genial mockery of ancient music with Posokhov's gently ironic treatment of the trivialities of the classical ballet.”

On the night of April 21, the Oktyabrsky Concert Hall will host a performance dedicated to the history of Russian ballet.

“We will turn the clock back with some striking photo and video archive materials and an exciting story full of backstage jokes and unknown facts the hosts are prepared to recount,” said Ekaterina Galanova, director of the festival.

Showpieces of Anna Pavlova and Mathilde Kschessinska, as well as Galina Ulanova and Tatiana Vecheslova, will be performed by dancers of the Mariinsky and Bolshoi Theatres, the Paris Opera Ballet, New York City Ballet, American Ballet Theatre, Staatsoper Berlin, Ukraine's Taras Shevchenko Opera and Ballet Theatre.

The program will open with the Dance of the Animated Frescoes from “The Little Humpbacked Horse.” Although the ballet is almost 150 years old, the Frescoes dance is a rarely performed piece and hardly a commonplace ballet hit.

The iconic ballerina Uliana Lopatkina will flutter across the stage as the Dying Swan from the legendary short ballet set to Saint-Saëns’ music.

Uliana Lopatkina, Danila Korsuntsev. "In the night". Souce: YouTube

An excerpt from George Balanchine's ballet “Who Cares?” (first produced in the United States) is not an illegitimate addition to the program: The great Balanchine, its author, lived and worked in St. Petersburg at the beginning of his career.

The final gala program is packed full of star performances, featuring the best dancers of the day from 20 companies – almost encyclopedic in terms of the choreographers whose works will be performed.

The show will be symbolically opened by the classic, 19th-century, Danish ballet master August Bournonville, with an excerpt from his ballet “The Flower Festival in Genzano.”

 The piece will be performed by the Bolshoi Theatre prima ballerina Evgenia Obraztsova and the American ballet dancer who won the gold medal at the New York International Ballet Competition, Joseph Gatti.

Evgenia Obraztsova. Source: YouTube

This is the night to see excerpts from ballets by Christopher Wheeldon, John Cranko, Roland Petit, David Dawson and John Neumeier – all legends of international choreography. As a surprise for the audience, the program also features a show by Entredos Ballet Español, which will perform a fusion of Spanish folk dances and flamenco.

The program will end with “Walpurgis Night.” Also known as “bacchanalia en pointe,” this vivid and erotic extravaganza of witches and satyrs is a ballet excerpt from the opera “Faust.” It will be performed by an international trio formed specifically for the purpose: Daniel Ulbricht (New York City Ballet), and Mikhail Lobukhin and Anna Tikhomirova (Bolshoi Theatre).

After the gala performance, the Dance Open awards ceremony will be held in the Marble Hall of the Russian Museum of Ethnography. A jury consisting of renowned international ballet personalities and chaired by the legendary Natalia Makarova will decide the winners in seven categories.

The best dancers and ballerinas will receive the traditional Dance Open prize of a crystal statuette – a replica of the great Russian ballerina Anna Pavlova’s foot.